Soul vocal quintet, formed in 1966, Detroit, Michigan, U.S.
Initially managed by Dick Scott (3), they got to know their producer Michael Stokes. After 1980, Bobby Green (6) was replaced by Carl Cotton. They released six albums between 1976 - 1983. Their hits include "Gloria", "Sunshine", "It's You That I Need" etc.
Enchantment first joined forces in the late 60s at Detroit's Pershing High School. The group obtained their first recording contract by winning first place in a 1969 talent contest sponsored by local Detroit radio station WCHB. In 1970, Enchantment joined forces with Artists International, a talent development agency for up-and-coming artists (founded by renowned manager Dick Scott). For the next several years, Enchantment began to hone their craft, concentrating on stage presence, choreography etc. by performing in numerous clubs around the city.
Success
By 1976, Enchantment had its first big break by signing with music industry veteran and internationally known pop artist Sid Maurer (the "Daddy of NuPOP Art"), Tash Howard and Fred Frank on their Roadshow Records imprint. Then they released their self-entitled debut album, Enchantment. Two singles from the album would chart very well on the R&B Charts. "Gloria" at number five and "Sunshine" at number three. The self-contained group would enter the studio in the fall of 1977, and recorded their second album, Once Upon A Dream. The album was a gem, far surpassing its predecessor charting on the R&B album charts at eight and Pop Albums charts at 46. It features the crossover ballad "It's You That I Need" which charted at number one on the R&B charts. Unfortunately, while Once Upon A Dream should have thrust the group to A-list status, it would became Enchantment's commercial peak. Journey to the Land Of... Enchantment would be Enchantment's third and final album with Roadshow. Released in 1979, this would be their final album that would chart well on the R&B charts coming in at number 25. But problems with Roadshow's promotion and visibility of the group along with Note Bobby Green was dismissed from the group after the first album.
Decline
By 1980, Roadshow had folded and shut down, Enchantment would sign with RCA Records. Soft Lights, Sweet Music was the band's fourth album. The album was a disappointment with both singles charting at 47 respectively in 1981. Enchantment would sign with Columbia Records in 1982 and would go on to release two more albums; Enchanted Lady (1982) and Utopia (1984). Both albums barley dented the charts. Utopia would be their last album released.
discogsThere is more than one artist with this name: 1) Enchantment was a doom/death metal band from Blackpool, United Kingdom. They released only a demo and 1994's full length CD called "Dance the marble naked". The band had a 6 record deal with Century Media and disbanded after one full length album. 2) Enchantment is a funk, soul, R&B band formed in Detroit. Members: Emanuel 'EJ' Johnson, David Banks, Joe 'Jobie' Thomas, Ed 'Mickey' Clanton, Bobby Green. Formed in the late 60s at Detroit's Pershing High School, Enchantment became one of the most enjoyable but underrated groups of the late 70s and early 80s. Consisting of lead singer Emanuel "EJ" Johnson, Bobby Green, Mickey Clanton, Joe Thomas and Dave Banks, Enchantment was for many years a local favorite, playing gigs in the Detroit area while hoping to ultimately score a record contract. Enchantment had its first big break in 1976, as the group signed with the Roadshow label and recorded a debut album with young producer (and future Motown executive) Michael Stokes. Enchantment was a decent introduction to the group, but most importantly was the first showcase for Enchantment's strong harmonies and the wonderful falsetto lead vocals and songwriting skills of EJ Johnson. Johnson was more influenced by Eddie Kendricks than Philip Bailey, but in an era of falsetto lead vocalists (from Russell Thompkins of the Stylistics to Eugene Record of the Chi-Lites), his ability to both master emotional ballads and attack blistering upbeat tunes moved him to the head of the class. Enchantment's debut album boasted two top ten R&B hits, "Sunshine" and the beautiful ballad, "Gloria," both written by Johnson. Enchantment's follow up, Once Upon a Dream, was a gem, far surpassing its predecessor. Featuring the crossover ballad "It's You That I Need" and the stepper "If You're Ready," it was, front to back, one of 1978's most listenable LPs and included both more mature group vocals and more elaborate backing work by great local Detroit musicians (including a ripping saxophone solo by Bob Seger sideman Alto Reed). Beyond the LP's hits were a slew of memorable album cuts, including "Silly Love Song" and the swing ballad "Angel In My Life." Unfortunately, while Once Upon A Dream should have thrust the group to A-list status, it became Enchantment's commercial peak. The group followed in 1979 with the solid Journey To the Land of Enchantment, and its hit, "Any Way You Want It," but problems at Roadshow Records began to affect the Enchantment's visibility and active promotion. 1980 brought the downfall of Roadshow and the group's ill-fated move to RCA's fledgling black music division. Soft Lights, Sweet Music was a disappointment, and the group quickly switched to Columbia Records, where they hoped that an affiliation with the world's largest record company would create great opportunities for increased crossover success. Unfortunately, Enchantment was lost in Columbia's monolithic organization and their two albums there died from lack of support. Their final recording, 1983's marvelous Utopia, reunited them with Michael Stokes and was a critical success (and is very much worth searching for), but barely dented the charts. Enchantment continues to perform in multi-group Soul Music shows. EJ Johnson has also become a popular name in Gospel circles as both a writer and producer. He released his first solo CD, the impressive Totally With Me, in 1999. In 2003, Enchantment released a beautiful single version of "God Bless America" in honor of America's soldiers in Iraq (with proceeds to the United Way). The single found the group in absolutely fantastic vocal form and is worth finding both for the cause and for the quality of the music. By Chris Rizik
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